pic(s) by Dexter Bentley
Here’s the live session & interview we did for Dexter Bentley’s HelloGoodbye Show on Resonance FM – it’s very close to the start of the show, and is four uninterrupted songs (including a brand new number) followed by some chat:
That was our afternoon. Later on, we went to Biddle Bros in E5 for a very loud gig:
Honest Song / Evil Relief / Perilous Seat / A Friend From Far Away / Caught Making Signals / Raw Material
…It’s a lot – dive in.
The band’s doing a live session in London this Saturday: Dexter Bentley’s HelloGoodbye Show, Resonance 104.4 FM – that’s from noon on 16 Nov. I’ve wanted to play on Resonance for ages, so this is something of a thrill (there might be an interview too).
Later that same day in the same city, we’re gigging on a great line-up… Here’s the info:
8:30pm THE GREAT MALARKEY (Acoustic)
Influenced by the likes of Tom Waits, Pixies, The Pogues, Beirut, Nick Cave, Fanfare Ciocărlia, Manu Chao, The Dead Brothers and Toots & The Maytals (the latter of whom they supported with only their third gig), The Great Malarkey are a riotous mix of musical styles delivered in a “multicultural train of fast beats and trembling slams of punk-folk spirit.” Earlier this year the song ‘Gimme Sugar’ from their second album “Doghouse” was chosen by Tom Robinson as BBC Radio 6 Music Recommend’s track of the week, getting played by daytime DJs Lauren Laverne, Steve Lamacq and Mary Anne Hobbs. The band play a special acoustic set tonight, featuring Alex ‘Ware-Woolf’ Gillings on vocals and guitar, Hugh Jones on vocals and guitar and Joni Belaruski on drums and vocals.
“A wild, multi-gendered gang of rebels brimming with deviant energy and fun… An absolute must see live experience” – Tom Robinson, BBC Radio 6 Music
9:20pm LEISURE TANK
Leisure Tank are a new female led power duo arrived from Berlin playing raw, minimalistic rock with unpredictable song structures and heavy, danceable grooves. Originally, K.C. (Katalin Czenker) is from Ossak, a tiny East German farm town that was home before the wall came down. Her songs echo that tough landscape, while her gutsy voice and electric guitar can be compared to PJ Harvey or Anna Calvi. She is backed by Budi on drums who plays huge complex rhythms on a gorgeous old Ludwig kit. The duo, in other guises, performed over seven hundred shows in punk squats and alternative acoustic clubs across Europe for a decade, saving their newer harder sound for the tougher British bar and festival crowds. They have just released their latest single ‘Moema’ and are soon to release their just-completed album.
“Gripping indie rock at it’s best” – Tom Robinson
10:10pm MATT FINUCANE
Brighton based singer/songwriter Matt Finucane’s music takes influence from art rock, krautrock and electronic noise and mashes them up into something intense and energetic. His songs have drawn comparisons to Lou Reed, Jeff Buckley, Nick Cave and David Bowie and for several years he has been DIY-releasing albums at a steady rate, getting airplay on BBC Introducing: South (including a live session with an early version of the band), Kerrang Radio and The Séance, among others. He has just released his third album “Vanishing Island” and has a new EP titled “The Seizure” out in November. Live, Matt is accompanied by Stephen Parker on bass and Barney Guy on drums.
“He should be heard by many many people” – Louder Than War Magazine
“A delight. Always great to hear an artist doing things their way” – R*E*P*E*A*T
VanityAct have always been a product of a variety of burgeoning London music scenes. The band started in 2015 in a bedroom in Hackney, with the main goal of being equal parts jazz, soul and punk, and went on to scavenge inspiration from the rich and diverse music of East London’s local bars and pubs. Originally flying under the moniker of Bubblegum, the band decided to start recording an album before playing any shows. This led to the release of their full-length LP, “Life in Colour”, which laid the groundwork for their full-bodied, orchestrated sound, rich with gospel choirs and raw brass ad libs. This sonic idiom was fully realised on their 2018 releases, ‘Original Sin’ and ‘Sunset (in the Key of E)’. During that year they also started their own regular music night in collaboration with Deviant & Dandy Brewery, entitled “The VanityAct Jamboree”, where they invite their favourite London bands to play laid back sets. The band are Henry Louis Ogilvie Dabrowski on vocals and guitar, Gabi Demera on bass and vocals, Alex Montgomerie-Corcoran on guitar, Jamie Burnett on drums and Helen Walpole on synth and vocals.
This EP marks a new departure: if you can make out the text on the back cover, you’ll see there’s an actual band involved. We recorded three tracks from our current set, pretty much live in the studio – barring vocals and a few guitar overdubs – then the final track’s a collaboration with Mik Hanscomb (Junkboy) in a lighter vein.
For more detail, I can’t really do better than the RingMaster Reviews interview I did recently, which covers everything…
Or there’s a review on Plugged in Brighton – “The familiar is twisted and distorted. Music comes from the shadows. Sonic exploration in every sense. Recommended.”
A good end to an interesting year!
(Except it’s not over yet – there’s a live session on Resonance FM to come, among other things…)
A first look at The Seizure from The Ring Master Review: “one of the most unique and honest artists around” – wow, I’ll take it!
The band gets singled out too, which is cool – “The bass of Stephen Parker again proves a dark invitation to get hooked up on; it’s tempting as brooding as it is catchy against the rhythmic swing of drummer Barney Guy”…
And here’s the conclusion: “In our experience every outing with Matt Finucane has proven an absorbing and rousing adventure in some rich level of degree but The Seizure might just be his finest proposition yet; in fact no question, it is.”
…The write-up goes into more detail about each track, but I think it’s safe to say it went over well, which is always a good feeling. Check it out, see if it tingles yr fancy.
EDITED TO ADD:
There’s also an interview: embracing the discord, here – which goes into more detail about the band, what’s behind the EP, and what happens next. As I say, you have to meet me halfway… but it’s always good when someone takes the time to listen and engage; and for what it’s worth, this is the clearest account yet.
Eight Miles High presents a night of far-out live music at the Brunswick Cellar Bar, Hove, with Eight Miles High playlists and liquid visuals in an intimate basement setting.
a Gnostic mix of folk, ambient, electronic and drone influenced by the forgotten places and times that surround us. Meditative drones, corrupted banjo and squeezebox and lo-fi electronics, and the occasional song about Stonehenge. His second album Geomancer was released in August this year.
channels Lou Reed stylings into psychotronic darkness. He’s happy to be “the troubadour of disharmony, back to confront, provoke, and captivate in his unique way” – The Ring Master review
is the project of Mark Benton and his eclectic troupe of performers that create dream-pop songs. They combine a variety of influences into a myriad sound of lullabies with anthemic electric and acoustic textures. performing at Cellar Bar as duo with synth, guitars and vocals
venture down to the Cellar Bar basement for a multi-sensory experience!
Doors open 8pm (first band on 8:30pm)
operates predominantly in the realm of free improvisation, interested in a spatial and phenomenological exploration of acoustic sound through the steel-string acoustic guitar
“the troubadour of disharmony” – Ring Master Review
mellow tastes and long atmospheric trips on hip hop beats
music from 8.30pm sharp
…I’ll be playing the 1st gig as a duo – guitar/drums – and the 2nd solo…
Sat 16 Nov, Biddle Bros (London E5) 8pm – electric band – details tbc