The 3rd and final single from my forthcoming album To The Outer World releases today… It’s a longer track (5mins, which is a lot for a guitar band), goes to some interesting places without losing the groove.
Did an interview recently with Muso Muso magazine – read it here. I don’t normally swear that much – answering questions about my music, anyway – but seeing it out there in someone else’s font, it seems a bit excessive. Didn’t register it at the time, for whatever reason – my mood was fine, pulse and brainwaves normal… maybe it just looks worse to me, I dunno. See what you think.
EDIT: Just to add, Graham Duff’s Mixtape on Slack City for 24 March played “A Friend From Far Away” – listen to the whole show here.
First of three singles – next one follows in about a month. This one’s my last word on a pet subject – a focused, direct guitar number (another last word, possibly). Hope you enjoy.
A free LP out now, if you’d like one, with a simple premise: the band, playing our set in a studio, a few weeks before the lockdown hammer fell – just because.
recorded live at Audiobeach (Brighton), 16 Jan 2020
vox / gtr: MF
bass: Stephen Parker
drums: Barney Guy
engineer: Forbes Coleman
(songs MF / arr. band)
(cover photo: Mik Hanscomb)
This EP marks a new departure: if you can make out the text on the back cover, you’ll see there’s an actual band involved. We recorded three tracks from our current set, pretty much live in the studio – barring vocals and a few guitar overdubs – then the final track’s a collaboration with Mik Hanscomb (Junkboy) in a lighter vein.
For more detail, I can’t really do better than the RingMaster Reviews interview I did recently, which covers everything…
Or there’s a review on Plugged in Brighton – “The familiar is twisted and distorted. Music comes from the shadows. Sonic exploration in every sense. Recommended.”
A good end to an interesting year!
(Except it’s not over yet – there’s a live session on Resonance FM to come, among other things…)
pre-order on Bandcamp here
This is the first set of tracks I’ve recorded with the band – at Church Road Studio here in Brighton, earlier this year – loud and (pretty much) live. There’s also an acoustic song featuring Mik Hanscomb on 12-string guitar: you get the whole spectrum in this EP’s 20min run-time.
It’s available in all the usual online places from 8th Nov, but you can hear a preview of the longest, strangest track on the player above.
Yes, that title’s a dig at Brexit, but there are no overt protest songs this time round: these are complex emotions, for complex times… The kind of feelings that don’t even have names – but you know them when they hit home.
I’m very happy with this one, and hope it’s as enjoyable a listening experience as it was to make.