new album: ‘To The Outer World’ released 23 Apr ’21
Bandcamp / Spotify / Amazon / Apple Music
It’s here… New album comes out today – a full-length studio recording with the band and various guest musicians, and some of my best songs yet: hope you enjoy (you can stream it on any of the links above). xx
“Envy The Birds” out 26 Mar ’21
Spotify / Apple Music / Amazon
The 3rd and final single from my forthcoming album To The Outer World releases today… It’s a longer track (5mins, which is a lot for a guitar band), goes to some interesting places without losing the groove.
Did an interview recently with Muso Muso magazine – read it here. I don’t normally swear that much – answering questions about my music, anyway – but seeing it out there in someone else’s font, it seems a bit excessive. Didn’t register it at the time, for whatever reason – my mood was fine, pulse and brainwaves normal… maybe it just looks worse to me, I dunno. See what you think.
EDIT: Just to add, Graham Duff’s Mixtape on Slack City for 24 March played “A Friend From Far Away” – listen to the whole show here.
“A Friend From Far Away” out 26 Feb ’21
Bandcamp / Spotify / Amazon / etc
The 2nd single from my new album’s out today (LP to follow Fri 23 April). It’s available from all the usual online sources, but I’d recommend the Bandcamp version, which comes with several extra tracks – a stealth EP, even. As before, it was recorded punishingly loud at Church Road Studios with Julian Tardo – hope you enjoy.
Oh yeah, here’s another no-budget DIY video to go with it, what I done all by myself (meant to make something a bit more extravagant this time, but lockdown II squashed that idea)…
“Something That Can Help” out 29 Jan ’21
Spotify / Apple Music / Amazon
First of three singles – next one follows in about a month. This one’s my last word on a pet subject – a focused, direct guitar number (another last word, possibly). Hope you enjoy.
New EP “The Seizure” released 8 Nov ’19
Bandcamp / Amazon / Apple Music / Spotify
This EP marks a new departure: if you can make out the text on the back cover, you’ll see there’s an actual band involved. We recorded three tracks from our current set, pretty much live in the studio – barring vocals and a few guitar overdubs – then the final track’s a collaboration with Mik Hanscomb (Junkboy) in a lighter vein.
For more detail, I can’t really do better than the RingMaster Reviews interview I did recently, which covers everything…
Or there’s a review on Plugged in Brighton – “The familiar is twisted and distorted. Music comes from the shadows. Sonic exploration in every sense. Recommended.”
A good end to an interesting year!
(Except it’s not over yet – there’s a live session on Resonance FM to come, among other things…)
x
gig, Thur 13 April – with electric band
Octopuses (Bouncy Castle single launch!)
alt indie dance from the bottom of the (Brighton) sea
https://www.facebook.com/octopusesband/
Matt Finucane + band
chanelling Lou Reed stylings with backing band
https://mattfinucane.net/
AK Patterson
folk singer songwriter…
https://m.facebook.com/akpatterson
live at the Prince Albert on Thursday 13th April
Doors Open: 8pm
Entry: £4
tickets on the door only
email: dazedawake@gmail.com
vintage brain-rust for the Old Year
Because the New Year finds me light-hearted and clearing out a ton of sentimental &/or forgotten crap, to dance laughing round a giant freedom pyre, I thought it’d be nice to share something with you. Going through the accumulated debris, I found this thing written years ago for a compilation album called The Return of Generation Toyracer (TOY004), featuring a track by my then-band Empty Vessels.
And what better way to celebrate the future than by wanking over the past?
The idea was to do a short piece for the inlay booklet, describing my best-loved record. So I made one up:
‘My favourite album is by 80’s combo Joie Extreme. The Sound of Whipped Dogs Miaowing has a literally unbearable atmosphere of foreboding and dread, with great hooks and singalong choruses. This voluptuous fog is testament to the genius of Des Essence and Vyv Feast. Whereas Essence was a protest singer distinctive for high-pitched shouting over primitive piano chords (ultra-rare early single “Dead Hill-Farmers Long Ago”), Feast wasn’t. So each song on their classic LP was recorded twice – once at half-speed, then with frequencies added that Feast claimed caused “spiritual violation”. Drummer Stifford was forced to hold his breath for each take; listen carefully and hear him sobbing on track three.
Recording took place in a haunted factory in front of a crowd of wax dummy children in Victorian clothes, and Feast deprived the band of sleep by flashing a blue light in their eyes (while showing, says bassist Miranda Poe, “a full stem”). The song “Eyeflaps Turgid” – possibly the only ever to feature an acoustic guitar filled with shit – reflects this. It was all downhill from there. The band scattered into obscurity to become music journalists, but their album lives on and I’ve got all the copies.’
…The work of a cocky, sleep-deprived and possibly quite drunk young man, but damn it was fun.
Happy Blank Page: 2013
2012 was bipolar – but I’d do it all again
Well, that was a… colourful year. And who could ask for more? Rather that than the alternative, which is a dreary thought. Death!
So what happened? (I’m still asking myself that, so this summary is as much for my benefit as anything else.)
1) Released 2nd album. Got more, and better, reviews than #1 – which was kind of the idea.
2) Did a brief and eventful tour after release – pretty much broke even: another first. Played a fair few other gigs, mostly solo, some with…
3) A band, which orbited around the songs for roughly 8-9 months and then exploded. With hindsight, it was never going to last, but during that time we played…
4) Live on BBC Introducing: The South (and the single got a little air-time too). This was exciting.
5) Did some more on the writing front, including an anthology on Kindle. My shady publication history can be partially untangled here, for anyone who’s into the minutiae.
…Besides these bare bullet-points, I’ve just kept on doing it, “it” being more songs. Met some potential collaborators in the last couple of months, had a few tantalising overtures; again, I’m not going into detail yet for fear of The Jinx; in this game, so many promising set-ups tend to evaporate without warning.
But it’s promising just the same. And it’s been a blast – on a gross venal level, the trickle of royalties makes filling in an income tax Self Assessment form such a thrill.
Joking aside, I’m still fuelling off the highs and regret none of the lows – hope you (whoever you are) likewise. Happy New Year.
the longest game of all
notes from waaay underground, Sept 2012
It’s hardly an original observation, but we’re in an unprecedented place with music right now. And that’s leaving aside the hopelessly blurred question of illicit downloads.
What we’ve got is an ever-more-entrenched top tier – the trad music biz – with a chokehold on all outlets still, despite everything. Shrinking but sucking up all the gravy, digging in, skimming off as much short-term profit on karaoke, lukewarm EDM and career-path indie as possible… (The money nowadays is in being a middleman – a 360-degree platform, or whatever… basically smoothing a load of unexpected bumps out of this level playing field, or claiming to.) And then there’s practically everyone else. Okay, there are exceptions when someone interesting somehow gets over the fence, but you know what I’m saying.
“Everyone else” being the huge semi-pro DIY mass, squashed in a corner, playing the long game. Doing it for the love of it, waiting for a break, gambling on longevity – or persistence – or bloody-mindedness… (If the volume of ever-accumulating stuff out there on the internet hasn’t made a nonsense of ideas like “back catalogue” and “posterity”, for unknowns anyway.) This in itself isn’t a new thing; it’s the extent of the lower tier that’s new. There simply aren’t enough outlets that pay – either in terms of making a living, or the finer commodity of sustained visibility. Of course the situation could eventually stabilize, even improve; something unexpected might come along and change the game again. Until then, though…
They believe in what they’re doing, these hidden musicians, so they roll the dice and carry on regardless.
As will I, despite the discouraging recent experience of having a band blow up on the launchpad. Discouraging, not fatal – with 20/20 hindsight it’s best in the long run, for reasons I needn’t go into here. Gave me ideas on how I’d like to continue, which is something; time now to get on with it.
Another year, another gamble: thankfully, the work is its own reward. Clearly lots of other people feel the same.
Unpeeled album review + TOUR NEWS
The 13th August update of Unpeeled has very positive things to say about Glow in the Dark – “once in a blue one, you come across something of genuine interest”, for a start – and I’ve taken the liberty of quoting the entire review somewhere on here. Go to the site, though, it’s all good writing (and they clearly have excellent taste).
Tomorrow sees the first date of MINOTAUR – South Seas Live in Sheffield. Facebook pg for that specific gig here.
Wish me luck – or a gloriously messy death. x
GLOW IN THE DARK out today – reviewed by Whiteboard Project
GLOW IN THE DARK – album #2 – is now available from Bandcamp, Amazon, Spotify & the rest. My advice is get it from Bandcamp, where it comes with extras.
It’s been reviewed by Whiteboard Project, here. (Scroll down, it’s the second or third item.) It “will infuriate some and delight others […] Highly recommended”. Amen to that.
On top of this, I’m part of a brief tour from 15th – 19th August.
New X Inn gig: verdict (I, Loudmouth)
I haven’t fronted a band since Empty Vessels on 14th Dec 2006 at The Montague Arms (SE15): so what’s changed? Happily, very little.
Solo acoustic is a totally different animal – I’d forgotten how charged the atmosphere at a real gig can be. The New Cross Inn on Friday was vibey as ever; I, Ludicrous sounded good – well, their soundcheck did, we’d buggered off back to Brighton in the van by the time they went onstage, I’m ashamed to admit – and the sheer power and physicality of the experience was… well, there aren’t any words. I just love feeling the drum-cracks and noises blast my spine, and aiming my voice right… through… the middle; worth every second, every minor discomfort and expediency.
It went over well, too; nice crowd. It’s good to be back.
oh, and many thanks to Andy Clarke, without whom…
a(nother) blast from the past: Misfit City lives again
As mentioned before, in a previous life I had a band called Empty Vessels. It started off as a duo with – hard as it seems to believe now – a heavy but mildewed drum n bass influence. What can I say… we were young, we were foolish, and guitar-based music seemed even deader than it does at present.
Anyway, it was a short-lived but intense period which we moved away from – inevitably, with hindsight – to become a very guitar-chord-based, oafish art rock trio; and even to make a tiny commercial dent. But at the time I speak of, we met a… polarized response. Some people loved us, some absolutely hated us; I just got off on the ructions, being a kid at the time. Very rarely, we’d get an insightful review from someone who might not’ve gone for the music, but appreciated what we were trying to do.
Such a review appeared on a literate and thoughtful site called Misfit City, which has been inactive for quite a while but recently started up again. Here’s the re-issued and updated article on EVs circa 2000…
It’s true what they say: be it ever so obscure, you never can escape your own past. But in this case, there’s nothing to run away from, and maybe something to be proud of. See if you agree.
Empty Vessels on Container Drivers Radio: old song, new programme
the past: cobwebs or stardust? discuss
The guys at Container Drivers Radio have another podcast up, featuring a song by my old band Empty Vessels.
- A Certain Ratio – Do The Du
- Joy Division – Warsaw
- Hawkwind – Death Trap
- Adrian Sherwood – Boogaloo
- The Lovely Eggs – Watermelons
- Monkeys In Love – I’m Alan
- Can – And More
- Sky Architects – Cave In
- Gespenst – The Bloodline
- The Fall – R.O.D.
- Althea and Donna – Uptown Top Ranking
- Power Switchblade – Keep it Light
- Jake Bugg – Taste It
- Empty Vessels – Monkey
- Stanley – Obstacles
- There Will Be Fireworks – Harmonium Song
- New Order – Vanishing Point
- X – Johnny Hit and Run Pauline
- Kingsley and Perrey – Unidentified Flying Object
- Bauhaus – Spy in the Cab
- Human Don’t be Angry – Asklippio
- Porcelain Raft – Put Me To Sleep
- Mugstar – Serra
- Ennio Morricone – L Estasi Dell Oro
- Signalsundertests – Kapelle
Thanks, as always, are in order. The song was recorded live at Rooz Studios, nr Old St in London, as part of an EP/album thing (it’s complicated). I’m told it was available in shops, back when that sort of thing mattered. Anyway, it’s a blast from the recent-ish past; my principles are unswerved, my delusions intact. If nothing else, it’s a nice fit with Hawkwind and The Fall.
BBC session – retrospect
The BBC Introducing: South live session we played is up on their site for the next 5 days, here.
We’ll get a recording of our songs, which were spread out across the broadcast, so I’ll probably upload it here &/or to Soundcloud at some point… Till then, check out the programme. It includes an interview, which I think went okay – the top of my head was spinning off somewhere in the upper atmosphere at the time. Managed not to swear or otherwise disgrace myself – can recall that much.
In all, sounded nice and crunchy; in fact we were ear-splittingly loud. No idea how the sound engineer made sense of this tidal sheet of fuzz, but what went on-air was magicked into something very tight and coherent, more so as we progressed. The fact we were lean, ready and up for it must’ve helped too.
Abiding memory? How swift and efficient the whole operation was – totally hassle-free, nice people to deal with – and, uh, playing with a big cardboard cut-out of Beloved National Treasure (and in my book, twat) David Jason as Del Boy, right in my eyeline. That and the chundering monotony of football, everywhere, inescapable.
No, seriously though: it was a pleasure. Had thought I was shackled to the acoustic guitar forevermore… Happily, I was wrong.
FUTURES & PASTS
old news and new news…
New: looks like I’ve finally got a band together, at least the strong framework of one. All we lack – perhaps – is a keyboard or synth (or even laptop) player. It’s sounding great so far… Exciting stuff.
Also, been getting some more airplay on Brighton’s Burst Radio – check em out.
Old: my former band Empty Vessels now has a Youtube channel here. There’s live footage in 3 parts, and also loads of free audio on Bandcamp. While I don’t want to make the mistake of raking around in the past too much, it captures the chaos and focused energy of those days – just as well I’ve got a new band, really.