Posts tagged “webzine

Unpeeled album review + TOUR NEWS

The 13th August update of Unpeeled has very positive things to say about Glow in the Dark – “once in a blue one, you come across something of genuine interest”, for a start – and I’ve taken the liberty of quoting the entire review on the Press page.  Go to the site, though, it’s all good writing (and they clearly have excellent taste, eh?  Eh?!?).

Tomorrow sees the first date of MINOTAUR – South Seas Live in Sheffield.  Facebook pg for that specific gig here.

Wish me luck – or a gloriously messy death. x


GLOW IN THE DARK out today – reviewed by Whiteboard Project

GLOW IN THE DARK – album #2 – is now available from Bandcamp, Amazon, Spotify & iTunes.  And the rest.  My advice is get it from Bandcamp, where it comes with extras.

It’s been reviewed by Whiteboard Project, here.  (Scroll down, it’s the second or third item.)  It “will infuriate some and delight others […] Highly recommended”.   Amen to that.

On top of this, I’m part of a brief tour from 15th – 19th August.


Brighton Souce & Ringmaster Reviews: Glow in the Dark x2

Two more reviews for Glow in the Dark, first from Stu Huggett in Brighton Source magazine:

…And second from Ringmaster Reviews, here.  An ambivalent one, this – “at times not easy to get a handle on”, but “to ignore it would be a mistake”… and “a sinister caress with less than healthy intentions which leaves one rattled but needing to feel its shadows again”(!).  Still, it’s in-depth, which is aces with me.  And uncertainty isn’t a bad thing… I’ve evoked some colourful images in the writer’s head: my work is done.


a(nother) blast from the past: Misfit City lives again

inlay for a long-dead cassette, designed by the estimable Marko Nardini

As mentioned before, in a previous life I had a band called Empty Vessels.  It started off as a duo with – hard as it seems to believe now – a heavy but somewhat askew drum n bass influence.  What can I say, we were young, we were foolish (and very, very wired).

Anyway, it was a short-lived but intense period which we moved away from, in small but – with hindsight – inevitable steps, to become an oafish art-rock trio and even to make a tiny commercial dent.  But at the time I speak of, we met a… polarized response.  Some people loved us, some absolutely hated us; I just got off on the ructions, being little more than a kid at the time.  (And any new band now attracting the volume of write-ups we did, both print and online, would be considered as doing quite well; sad but true…)  Very rarely, we’d get an insightful review from someone who might not’ve gone for the music, but appreciated – or at least grasped – what we were trying to do.

Such a review appeared on a literate and thoughtful site called Misfit City, which has been inactive for quite a while but recently started up again.  Here’s the re-issued and updated article on EVs circa 2000… 

It’s true what they say: be it ever so obscure, you never can escape your own past.  But in this case, there’s nothing to run away from and a great deal to be proud of.  See if you agree.


more press & BBC session news

Here’s another write-up for Hard Science from is this music?  Good again: I’m a punk poet prepared to push the boat out, it sez.  Damn right.

The BBC Introducing: South session takes place next Sunday, 24th June – more details as soon as I have them (probably tomorrow).  Exciting stuff.


GLOW IN THE DARK album: first press coverage/BBC gig

Here’s a nice write-up for the upcoming album at indiebandsblog.com

And here’s one at withguitars.com

Appreciated, as ever.  Live, the gigs are gradually pencilling in, circling like inky tenebrous corner-of-the eye spectres, hazing toward actuality, an’ shit…  Also, just been offered a BBC radio session quite soon, so more news on that swiftly.