photo by Lewis McKale
Two more upcoming local gigs:
What can I say – I’m a greedy bitch. To soak up the folly, the gigs will be poles apart in sound, feel and setlist (very different venues too). For the first, there’ll be electricity, bass and drums; the second, I’ll be alone up there… After that, it’s oblivion for a little while.
Meanwhile, a track from the new EP’s featured on Monolith Cocktail’s Quarterly Playlist Revue, alongside Dr Octagon, Grimm Grimm and Crayola Lectern, to name a few – it’s an immersive, intelligently-structured listening experience; switch that phone off and strap in for a journey by tracklist.
An oldie, Lilith, features on the third edition of Plugged In Brighton’s Mixcloud in a rockier setting; Young Francis, Big Slammu et al bring the scuzz.
The two programmes are very reflective of the two nights – one’s adrenaline noise, the other’s a head trip. Explore!
Badges… badges everywhere
A strange feeling, putting yr image into a 25mm metal circle. How do bands cope with their gormless faces plastered all over T-shirts and other… “merch”? Come to a gig and take these damn things away.
…But there are several more to come, including a third go with Safehouse in the Wildcard Quartet, end of June. Details here, as they become available. Anyway, ask me for a badge and you can have one.
My next full-band gig’s on Mon 11 June at the Hope & Ruin, with Pink Narcissus, Peter Cat & Lewis McKale. I’ll be onstage from 8:30, with a new drummer and new songs – truly, playing with the big boys…
Before that, there’s a return to Mr Wolf’s in Bristol (tomorrow!) and another go at Bar 42 in Worthing (electric this time). I chase the phantom wherever it leads, till the oil runs out and the lights go off.
I love a blog entry studded with enticing blue links. So – another track from the new EP can be heard on the second Mixcloud from Plugged In Brighton, and pretty soon I’ll be appearing on the third 69X Music TV show – news of that soon. Here’s me playing live to camera in 30-degree heat:
There’s a new EP due on 11 May in all its ugly glory… I got tired of introspective stuff and dialled up the noise/sarcasm/repetition. It’s also, for the most part, very… direct. Here’s advance word from xsnoize.com.
I’ve already recorded the follow-up, and that’s different again. Meanwhile, think of this one as an outburst of protest – although the final track may be one of the prettiest things I’ve ever done. A conundrum, for sure (but not too much of one… it’s getting playlisted a lot, which is very welcome).
Gigs are lining up – solo, as a guitar/drums duo, full electric band – and dates so far include:
Another improv gig, as described previously, in the Wildcard Quartet:
Mon 21 May, Short Steps presents @ Fortune of War (Brighton) – w/ Ja Sputnik, Noisferatu & Pete Wiseman
Mon 28 May, Mr Wolf’s (Bristol)
Fri 22 June, Real Music Club @ The Brunswick (Brighton) – w/ Andy Roberts & The Boy In The Cupboard
More tbc for June onwards. Ugliness, ugliness everywhere (and I love it)… x
EDIT: you can hear a track from the EP on Indie Arena Radio’s Mixcloud here
the venue (Verdict Jazz Club) in a quiet moment
So I’ve been going to Safe House here in Brighton for a while, and it’s helped keep me honest and open-minded musically (flexible, too). It’s a, well, it’s… right, this is off their site:
…collective that hosts two separate nights that focus on improvised and experimental music: Safehouse, on the first Wednesday of every month, and On The Edge, on the last.
[…] There may or may not be any rhythm, tonal centre or structure to the pieces played. The music is free in that sense. No premeditated ideas or constrictions. Any sound is valid. It is a sonic conversation, in which players respond to each other as spontaneously as possible.
It can be brilliant, terrifying and beautiful or absolute shit, depending on the quiddities of the moment. Some of the players are very advanced indeed, but I’ve managed to reach a point where I can hold my own onstage well enough as part of a free improv scratch ensemble – or at least not embarrass myself too often. One aspect of the gig nights is the Wildcard Quartet: four names are selected at random to go on as first support and improvise for about twenty minutes, no quarter asked or given. (They’re very clear about this… it’s not “jamming”, it’s improvisation. Start spamming out riffs by rote and they take you out back and shoot you. Horribly distorted electric guitars are permitted, however.)
Anyway, my name came up for the gig on 31 Jan. It’s exciting stuff, and will be entirely unique, which is kind of the point.
Graham Dunning, Colin Webster, Sam Underwood
In this trio Graham Dunning plays turntable, dubplates and dentristry tools, walkmans and amplified objects. Colin Webster plays saxophone and Sam Underwood the tuba.
In 2014 Graham and Colin released two albums of recordings on the Linear Obsessional and Raw Tonk labels. They also toured the UK and Switzerland – the video below is from their set in Zurich.
The trio performed a memorable set at Supernormal festival in 2015 and released a CD called Bleed on ADAADAT label – a track from which is below.
Fettucini Spicer attempt to provoke/shock each other into action by the application of a multitude of instruments and objects too numerous to mention!
…I have no idea what to expect, and trust me – neither do you.