the venue (Verdict Jazz Club) in a quiet moment
So I’ve been going to Safe House here in Brighton for a while, and it’s helped keep me honest and open-minded musically (flexible, too). It’s a, well, it’s… right, this is off their site:
…collective that hosts two separate nights that focus on improvised and experimental music: Safehouse, on the first Wednesday of every month, and On The Edge, on the last.
[…] There may or may not be any rhythm, tonal centre or structure to the pieces played. The music is free in that sense. No premeditated ideas or constrictions. Any sound is valid. It is a sonic conversation, in which players respond to each other as spontaneously as possible.
It can be brilliant, terrifying and beautiful or absolute shit, depending on the quiddities of the moment. Some of the players are very advanced indeed, but I’ve managed to reach a point where I can hold my own onstage well enough as part of a free improv scratch ensemble – or at least not embarrass myself too often. One aspect of the gig nights is the Wildcard Quartet: four names are selected at random to go on as first support and improvise for about twenty minutes, no quarter asked or given. (They’re very clear about this… it’s not “jamming”, it’s improvisation. Start spamming out riffs by rote and they take you out back and shoot you. Horribly distorted electric guitars are permitted, however.)
Anyway, my name came up for the gig on 31 Jan. It’s exciting stuff, and will be entirely unique, which is kind of the point.
Graham Dunning, Colin Webster, Sam Underwood
In this trio Graham Dunning plays turntable, dubplates and dentristry tools, walkmans and amplified objects. Colin Webster plays saxophone and Sam Underwood the tuba.
In 2014 Graham and Colin released two albums of recordings on the Linear Obsessional and Raw Tonk labels. They also toured the UK and Switzerland – the video below is from their set in Zurich.
The trio performed a memorable set at Supernormal festival in 2015 and released a CD called Bleed on ADAADAT label – a track from which is below.
Fettucini Spicer attempt to provoke/shock each other into action by the application of a multitude of instruments and objects too numerous to mention!
…I have no idea what to expect, and trust me – neither do you.
Out on tour for the first time in years, by fits and starts till December.
“If Matt’s got a keynote as a songwriter, it’s his knack for seamlessly juxtaposing the macabre with the ordinary […] These days he’s a little wiser and friendlier, but just as stubborn; and still worth spending time with.”
So I’m playing at this all-day celebration of noise on Sunday, with bass and drums and a loud electric guitar again. We’re on about 6pm, but I can recommend arriving earlier: check that line-up.
5 quid, 11 bands, 9 hours of mind-smashing volume in Brighton’s best, most dimly-lit venue. Sounds like heaven to me.
Brighton Freak Rock est. 2009
Alternative Rock from Brighton.
Fuzz Chug Wailers
Deliciously dysfunctional, hard-edged art rock.
Homegrown heavy featuring bits lifted from all your favourite bands.
A fine tuned mix of garage rock and gospel.
Frank & Beans
Two-piece thunder punk outfit from N. Ireland.
Punchy, noisy, melodic punk from Brighton
One Man Punk Band
Here are two free downloads, moved across to Bandcamp from Soundcloud:
a BBC Introducing: South session with my previous live band…
…and a studio track recorded at the same time as Lilith and In The Evil Empire
Please, feel free to pig out on all of the above.
Dazed & Awake presents –
a rock band with striking melodies, powerful harmonies, a sea of guitars and synthesised leads.
singer/writer/horror freak Matt Finucane takes his influences from Lou Reed, Mark E Smith and horrible electronic noise (despite primarily performing on acoustic guitar)
Broken Ears fuse americana and blues influences with a sense of urgency and energy derived from their punk rock roots to create an eclectic mess of sounds.…
Free entry from 8pm
for further info email email@example.com