BOUNCING SKULL PRESENTS
L C PUMPKIN
astonishing lo-fi outsiderness
“Warping keyboards, fuzz-banjo, blown-out drum machine beats and extremely catchy songwriting” – Upset The Rhythm
“It was good” – Jarvis Cocker
ADAM & ELVIS
formidable and poignant live band with a mighty work ethic, fresh from supporting Fat White Family, The Correspondents, Splashh and The Zombies
“Their track The Artiste takes you gently by the hand and draws you down a hypnotizing route that leads to some surprising places” – Steve Lamacq, 6MUSIC
Badges… badges everywhere
A strange feeling, putting yr image into a 25mm metal circle. How do bands cope with their gormless faces plastered all over T-shirts and other… “merch”? Come to a gig and take these damn things away.
…But there are several more to come, including a third go with Safehouse in the Wildcard Quartet, end of June. Details here, as they become available. Anyway, ask me for a badge and you can have one.
My next full-band gig’s on Mon 11 June at the Hope & Ruin, with Pink Narcissus, Peter Cat & Lewis McKale. I’ll be onstage from 8:30, with a new drummer and new songs – truly, playing with the big boys…
Before that, there’s a return to Mr Wolf’s in Bristol (tomorrow!) and another go at Bar 42 in Worthing (electric this time). I chase the phantom wherever it leads, till the oil runs out and the lights go off.
I love a blog entry studded with enticing blue links. So – another track from the new EP can be heard on the second Mixcloud from Plugged In Brighton, and pretty soon I’ll be appearing on the third 69X Music TV show – news of that soon. Here’s me playing live to camera in 30-degree heat:
the venue (Verdict Jazz Club) in a quiet moment
So I’ve been going to Safe House here in Brighton for a while, and it’s helped keep me honest and open-minded musically (flexible, too). It’s a, well, it’s… right, this is off their site:
…collective that hosts two separate nights that focus on improvised and experimental music: Safehouse, on the first Wednesday of every month, and On The Edge, on the last.
[…] There may or may not be any rhythm, tonal centre or structure to the pieces played. The music is free in that sense. No premeditated ideas or constrictions. Any sound is valid. It is a sonic conversation, in which players respond to each other as spontaneously as possible.
It can be brilliant, terrifying and beautiful or absolute shit, depending on the quiddities of the moment. Some of the players are very advanced indeed, but I’ve managed to reach a point where I can hold my own onstage well enough as part of a free improv scratch ensemble – or at least not embarrass myself too often. One aspect of the gig nights is the Wildcard Quartet: four names are selected at random to go on as first support and improvise for about twenty minutes, no quarter asked or given. (They’re very clear about this… it’s not “jamming”, it’s improvisation. Start spamming out riffs by rote and they take you out back and shoot you. Horribly distorted electric guitars are permitted, however.)
Anyway, my name came up for the gig on 31 Jan. It’s exciting stuff, and will be entirely unique, which is kind of the point.
Graham Dunning, Colin Webster, Sam Underwood
In this trio Graham Dunning plays turntable, dubplates and dentristry tools, walkmans and amplified objects. Colin Webster plays saxophone and Sam Underwood the tuba.
In 2014 Graham and Colin released two albums of recordings on the Linear Obsessional and Raw Tonk labels. They also toured the UK and Switzerland – the video below is from their set in Zurich.
The trio performed a memorable set at Supernormal festival in 2015 and released a CD called Bleed on ADAADAT label – a track from which is below.
Fettucini Spicer attempt to provoke/shock each other into action by the application of a multitude of instruments and objects too numerous to mention!
…I have no idea what to expect, and trust me – neither do you.
photos by Paul Newman
Photos of the band onstage at the Guitars Who Cares all-dayer, put on by Poupee Visage at Green Door Store (as you just might be able to tell from the glowing backdrop). They’re a little grainy – well, a lot – because they’re stills from a video camera. Also, it’s very dark in that room. And hot. And loud. Somehow, all of this comes across… It was a good gig.
So I’m playing at this all-day celebration of noise on Sunday, with bass and drums and a loud electric guitar again. We’re on about 6pm, but I can recommend arriving earlier: check that line-up.
5 quid, 11 bands, 9 hours of mind-smashing volume in Brighton’s best, most dimly-lit venue. Sounds like heaven to me.
Brighton Freak Rock est. 2009
Alternative Rock from Brighton.
Fuzz Chug Wailers
Deliciously dysfunctional, hard-edged art rock.
Homegrown heavy featuring bits lifted from all your favourite bands.
A fine tuned mix of garage rock and gospel.
Frank & Beans
Two-piece thunder punk outfit from N. Ireland.
Brighton Rock/Noise Pests
Punchy, noisy, melodic punk from Brighton
One Man Punk Band
Some photos of Thursday’s full-band gig – plus two videos:
Mik and Steve sound great – check it out, it’s dead showbiz.
Octopuses (Bouncy Castle single launch!)
alt indie dance from the bottom of the (Brighton) sea
Matt Finucane + band
chanelling Lou Reed stylings with backing band
folk singer songwriter…
live at the Prince Albert on Thursday 13th April
Doors Open: 8pm
tickets on the door only
3 songs from the Green Door Store, Dec 16
Here’s a video of highlights from the I, Ludicrous support gig at the end of last year – with me on guitar is Mik Hanscomb.
Some photos by Heather Johnson of last night’s Green Door Store gig (except no. 4, by Phil of Spinning Chilli).
Went very well, especially for a first gig as a duo. A piercingly high note to finish 2016 on.
Here are three songs taken from last month’s London gig – In The Evil Empire, Self Possession and Moon Madness. Scrutinize at leisure.
Been a while, but not been idle – here’s a link to a short story of mine in Agony Magazine… Musically, am gearing up for a London gig at the end of March courtesy of The Animal Farm, and whatever else I can scrounge – new songs on the way, too. Wait and see x
o sweet lord it’s happening again… EVENT LINK
As you can see, this gig happens on Wed 9 Sept At The Coach House… If you don’t know about this venue, you should. Same goes for the performers – I’m not playing this time, am just the door-bitch, but in ascending order we have:
Shonalika – one of the best singer-songwriters in a town full of ’em
Crysi di Milo – excoriating spoken word mayhem
& headliners Broken Ears – so tight and heavy it’s frankly SCARY
Music from 8pm, no messing. The hound of pleasure calls! x
can you tell which one’s me?
Had a blast backing Crysi di Milo at Trans Pride last weekend (then in a sex-dungeon at Fag Machine on Wed 29th). We absolutely killed, so might go into a studio soon and make some horrendous noise, see what happens. Both events were lovely and it was a privileged buzz to play a – very minor, but fun – part.
grey is not a rock n roll colour
Many thanks to those who came, those who played, and those who supported in other ways: it was a blast. Hopefully I’ll do it all again in September, but different. x
Before Phantom Hound on 8th July, I’m playing at Good For What Ails You, at the Bee’s Mouth. It’s eclectic, it’s cheap to get in, it starts at 5pm on Sunday 5th. The last one (I went as a punter) was mental. Check it out:
“This month’s eruditional jamboree steps up to the pulpit to present you WORDS of POWER, TALES of WISDOM, JAPES of WRATH, TASSELS of RIGHTEOUSNESS with Jimmy Bullet, Johnny Wardlow, Muffy Hunter, Matt Finucane, Fraser Geesin Leisure Centre and MC Dan Belton”
cute, isn’t he
This is going to be a very interesting gig. (In a good way.)
It features super-powerful performance poet Gary Goodman, renowned multi-instrumental improviser Alistair Strachan, some attention-whore with an Irish surname that’s hard to pronounce, and devastatingly dark new talent Rochelle McLean.
And it happens in one of the – if not the – coolest venues in Brighton. Wed 8 July, folks. It may be Summer, but BRING BACK DARKNESS.
Here’s an extract from the launch gig, as threatened – two songs (In The Evil Empire & Self Possession, which features improvisation and death-cries). It was a lovely night, and hopefully this captures some of the energy. Have a look:
some pics by Agata Urbaniak from last night’s launch of In The Evil Empire
(l-r: MF, Dolly Dollycore, Pete Wiseman, Vicky Gould & Stephen Bad Mother-Folker)
It went very well indeed – thanks to all who came, and I’ll probably stick some video highlights on Youtube soon.
This is a song from Berlin, recorded at the Lou Reed tribute night on December 7th, at the Coach House. The man’s work means a great deal to me, so: hope you enjoy (not the best word for this particular song perhaps).