Another improv album from Safehouse Brighton – I’m on tracks 1, 17 & 19. This is the fifth in a series of remote collaborations started over lockdown (am on every one except the first), so I’ll skip the blurb; enough to say it’s a big listen and a deep dive into freeform sound adventure. It’s also possibly the lightest, most accessible volume so far; who knows what’ll happen when we reach the end of the alphabet…
That’s one extreme, so here’s the reverse – from the Rossi Bar gig in November showing the other end of what I do:
1) MF – 2) La Pequena Em – 3) Austerity – 4) Austerity/Gulls (photos by Jimmy Guest)
It’s been a blast, somewhat against expectation given how bleak things looked in January – hope to do a lot more next year, and that everyone’s 2022 is utterly fucking fab.
Those crazy Safehouse cosmonauts have done it again: a new collection of trios – including me, on three tracks – working long-distance on some free improv musical collaborations. (This is the third so far… I’m also on the previous album, D.E.F.*)
Hadn’t expected to update again so soon, with no gigs or anything like that on the horizon – of course – but hopefully this is a sign of life resuming… We’ll find out.
*It makes sense (read the blurb on Bandcamp)…
As part of my musical sideline as a (novice) member of the Safehouse collective, here’s some video footage – and photos – from the 25th April gig supporting Shatner’s Bassoon & Bolide, once again courtesy Agata Urbaniak:
…photos on Flickr here
It’s good to branch out…
the venue (Verdict Jazz Club) in a quiet moment
So I’ve been going to Safe House here in Brighton for a while, and it’s helped keep me honest and open-minded musically (flexible, too). It’s a, well, it’s… right, this is off their site:
…collective that hosts two separate nights that focus on improvised and experimental music: Safehouse, on the first Wednesday of every month, and On The Edge, on the last.
[…] There may or may not be any rhythm, tonal centre or structure to the pieces played. The music is free in that sense. No premeditated ideas or constrictions. Any sound is valid. It is a sonic conversation, in which players respond to each other as spontaneously as possible.
It can be brilliant, terrifying and beautiful or absolute shit, depending on the quiddities of the moment. Some of the players are very advanced indeed, but I’ve managed to reach a point where I can hold my own onstage well enough as part of a free improv scratch ensemble – or at least not embarrass myself too often. One aspect of the gig nights is the Wildcard Quartet: four names are selected at random to go on as first support and improvise for about twenty minutes, no quarter asked or given. (They’re very clear about this… it’s not “jamming”, it’s improvisation. Start spamming out riffs by rote and they take you out back and shoot you. Horribly distorted electric guitars are permitted, however.)
Anyway, my name came up for the gig on 31 Jan. It’s exciting stuff, and will be entirely unique, which is kind of the point.
Graham Dunning, Colin Webster, Sam Underwood
In this trio Graham Dunning plays turntable, dubplates and dentristry tools, walkmans and amplified objects. Colin Webster plays saxophone and Sam Underwood the tuba.
In 2014 Graham and Colin released two albums of recordings on the Linear Obsessional and Raw Tonk labels. They also toured the UK and Switzerland – the video below is from their set in Zurich.
The trio performed a memorable set at Supernormal festival in 2015 and released a CD called Bleed on ADAADAT label – a track from which is below.
Fettucini Spicer attempt to provoke/shock each other into action by the application of a multitude of instruments and objects too numerous to mention!
…I have no idea what to expect, and trust me – neither do you.
cute, isn’t he
This is going to be a very interesting gig.
It features super-powerful performance poet Gary Goodman, renowned multi-instrumental improviser Alistair Strachan, some attention-whore with an Irish surname that’s hard to pronounce, and devastatingly dark new talent Rochelle McLean.
And it happens in one of the – if not the – coolest venues in Brighton. Wed 8 July, folks. It may be Summer, but BRING BACK DARKNESS.
I’m on Radio Reverb this Sunday as part of an hour-long programme of spoken word and improvised music – that’s 28 July at 11pm, on 97.2FM. The programme’s repeated at the following times:
Tue 30 July 7am
Wed 31 July 11am, &
Fri 2 Aug 5am