Safe House 7
played so obnoxious on this. It felt great
Safe House Brighton returns with a seventh LP of improvised music – I’m on three tracks, 7), 8) & 16), playing treated recordings, rockist guitar (listen above) & ambient doom riffs, respectively. Full LP here.
I’ve been on several of these now, a project that began in the solitary madness of lockdown and was too powerful to die. This will probably be my last go-round – but I haven’t decided yet.
Here’s the blurb:
A system of 18 trios were created, whereby no one player could play with the same person more than once. Cards with the 18 players names on were shuffled and depending on the order they were drawn, each player was given a number. These 18 musicians sent in a recording of themselves playing, between 4 and 6 minutes long. This solo performance/recording was sent to the player “below” them to play along with. This recorded duet was then sent to the player “below” them to play along with.
Players were invited to record whatever they wanted, whilst listening to and accompanying the track “above”.
The final trio of each unique group is what you are listening to here!
Previous LPs:
Digest, discuss, disgust
xx
Safehouse 6 – an improv epic
There’s a 6th installment of the ongoing Safehouse album project (and I’m on it). This is another free improv epic, part of a vast unfolding tale that started in lockdown… Here’s what I wrote about the first one I played on, shortly after the world changed. Track above features some gleefully horrible guitar from me, pitted against two other musicians, while the entire album can be heard on Bandcamp, here.
Can’t Cheat Karma! Washing Up Time! (2 new releases)
I’ve got 2 new pieces of music on 2 different releases:
There’s Can’t Cheat Karma’s benefit album for Brighton Unemployed Centre Families Project:
“BUCFP provides practical support, education, advice and much more to the unemployed and those in poor living conditions, benefit claimants, the unwaged, pensioners, families and those on low incomes.
Download it, tell all yr friends, send us money. All profits go to BUCFP.”
&
Washing Up Time, released by Spirit of Gravity:
– The first features shitloads of punk & punk-adjacent bands like Austerity, Idle Bones, Ferox Fucking Ferox, Mules & others, plus a new track of mine.
– The second’s a compilation from Brighton’s foremost experimental electronic collective (SoG, celebrating 21 years of promoting gigs). There’s 36 tracks of foaming noise terror, including an instrumental from me, all based around a recording of Nil By Nose washing up.
I urge you to check them out on the links above, buy them & play them obsessively – both are out now.
EDIT: just heard my track from Washing Up got played on Lost Property‘s Totally Radio show, The Damping Wells – listen here…
new Safehouse album: MNO (plus gig pix)
Another improv album from Safehouse Brighton – I’m on tracks 1, 17 & 19. This is the fifth in a series of remote collaborations started over lockdown (am on every one except the first), so I’ll skip the blurb; enough to say it’s a big listen and a deep dive into freeform sound adventure. It’s also possibly the lightest, most accessible volume so far; who knows what’ll happen when we reach the end of the alphabet…
That’s one extreme, so here’s the reverse – from the Rossi Bar gig in November showing the other end of what I do:
1) MF – 2) La Pequena Em – 3) Austerity – 4) Austerity/Gulls (photos by Jimmy Guest)
It’s been a blast, somewhat against expectation given how bleak things looked in January – hope to do a lot more next year, and that everyone’s 2022 is utterly fucking fab.
x
Safehouse: G.H.I (another album!)
Those crazy Safehouse cosmonauts have done it again: a new collection of trios – including me, on three tracks – working long-distance on some free improv musical collaborations. (This is the third so far… I’m also on the previous album, D.E.F.*)
Hadn’t expected to update again so soon, with no gigs or anything like that on the horizon – of course – but hopefully this is a sign of life resuming… We’ll find out.
*It makes sense (read the blurb on Bandcamp)…
live video & pix: Wildcard Quartet, 25 April
As part of my musical sideline as a (novice) member of the Safehouse collective, here’s some video footage – and photos – from the 25th April gig supporting Shatner’s Bassoon & Bolide, once again courtesy Agata Urbaniak:
…photos on Flickr here
It’s good to branch out…
never to be repeated: Safe House improv gig, 31 Jan
the venue (Verdict Jazz Club) in a quiet moment
So I’ve been going to Safe House here in Brighton for a while, and it’s helped keep me honest and open-minded musically (flexible, too). It’s a, well, it’s… right, this is off their site:
…collective that hosts two separate nights that focus on improvised and experimental music: Safehouse, on the first Wednesday of every month, and On The Edge, on the last.
[…] There may or may not be any rhythm, tonal centre or structure to the pieces played. The music is free in that sense. No premeditated ideas or constrictions. Any sound is valid. It is a sonic conversation, in which players respond to each other as spontaneously as possible.
It can be brilliant, terrifying and beautiful or absolute shit, depending on the quiddities of the moment. Some of the players are very advanced indeed, but I’ve managed to reach a point where I can hold my own onstage well enough as part of a free improv scratch ensemble – or at least not embarrass myself too often. One aspect of the gig nights is the Wildcard Quartet: four names are selected at random to go on as first support and improvise for about twenty minutes, no quarter asked or given. (They’re very clear about this… it’s not “jamming”, it’s improvisation. Start spamming out riffs by rote and they take you out back and shoot you. Horribly distorted electric guitars are permitted, however.)
Anyway, my name came up for the gig on 31 Jan. It’s exciting stuff, and will be entirely unique, which is kind of the point.
Event link here // Tickets here (£6/5)
The program:
Graham Dunning, Colin Webster, Sam Underwood
In this trio Graham Dunning plays turntable, dubplates and dentristry tools, walkmans and amplified objects. Colin Webster plays saxophone and Sam Underwood the tuba.
In 2014 Graham and Colin released two albums of recordings on the Linear Obsessional and Raw Tonk labels. They also toured the UK and Switzerland – the video below is from their set in Zurich.
The trio performed a memorable set at Supernormal festival in 2015 and released a CD called Bleed on ADAADAT label – a track from which is below.
https://soundcloud.com/mrunderwood/tarnlavadust#t=0:00
Fettucini Spicer
Fettucini Spicer attempt to provoke/shock each other into action by the application of a multitude of instruments and objects too numerous to mention!
Wildcard Quartet
…I have no idea what to expect, and trust me – neither do you.
GIG, 8th July, Brighton – PHANTOM HOUND presents…
cute, isn’t he
This is going to be a very interesting gig.
It features super-powerful performance poet Gary Goodman, renowned multi-instrumental improviser Alistair Strachan, some attention-whore with an Irish surname that’s hard to pronounce, and devastatingly dark new talent Rochelle McLean.
And it happens in one of the – if not the – coolest venues in Brighton. Wed 8 July, folks. It may be Summer, but BRING BACK DARKNESS.
on the radio, muttering – Sunday 28 July (& Tue, Wed, Fri…)
preliminary notes
I’m on Radio Reverb this Sunday as part of an hour-long programme of spoken word and improvised music – that’s 28 July at 11pm, on 97.2FM. The programme’s repeated at the following times:
Tue 30 July 7am
Wed 31 July 11am, &
Fri 2 Aug 5am
