Posts tagged “fanzine

video interview & EP review, Oct ’18

Here’s a stranger to daylight, staring back at a camera and talking to Mass Movement about his 10 favourite LPs.  I now understand why vloggers do that thing of having loads of apparently pointless fast cuts even if it’s just them talking (to edit out all the times they blew their lines or dried up.  Try giving a semi-improvised speech for a quarter hour without deviation, hesitation, repetition or several annoying facial tics… even the most glibly confident would struggle.  Still, interesting to try – although I don’t think I could make a “career” out of it).  These aren’t the definitive 10 – more the ones that seemed significant that day – but I hope this small addition to the huge reef of pop cult lists is entertaining, anyway.  And it’s nice to be asked.

From abundance to rarity – here’s a review of Disquiet from Issue 8 of Plugged In Brighton:

…Reproduced here because it’s bootleg as fuck – a paper zine with minimal web presence, and if you don’t live in Brighton you’re unlikely to see a copy.  Both ends of the magnet!

Back soon with gig news…

 

 


gig review, Plugged In Brighton 4 (June)

 

The 11 June Hope & Ruin gig, written up in issue 4 of Plugged In Brighton.  Grab a copy round town, unless distance and/or the forces of entropy prevent you (you’ll just have to move to Brighton).  Anyway, it was a very nice night, good to see the other acts getting due credit.  While we’re here… Can I direct you once more to the zine’s latest Mixcloud, which features an old track of mine?  Here it is.


Interview & front cover, Plugged In Brighton

There I am on the cover of Plugged In Brighton 2… And here, with their kind permission, is the interview from the same issue:

 

It was lovely to be asked, and they had some kind words about Ugly Scene too:

“the songs are art rock without being limp and inhabit a weird version of our world […] Matt is raging against whatever is there” … among other things.

There’s good info on local bands in there, so pick up a copy if you live in this hipster gulag – or check their facebook page (link above) and mixcloud, if not.


Sherlock H vs The F***king C***suckers

Below is a piece I wrote some years ago for a fanzine (on actual paper, yet).  Explanation follows.

I arrived at 221B Baker Street to find my friend Sherlock Holmes deep in consultation with a well-to-do lady of middle years, her pale worried features a sad contrast to the richness of her dress.  ‘It’s my son Francis,’ she said in a voice cracked with weariness.  ‘Ever since he joined this.. “rock band”, he’s been like a perfect stranger.  He comes and goes at all hours, refuses his dinner, and seems to detest my husband and I – but worse yet…’

Here Holmes interrupted with a brusque gesture of his nervous fingers.  ‘This band.  What do they call themselves?’

‘I blush to tell you, Mr Holmes, but they are known as The Fucking Cocksuckers.’

‘Quite so.  If you will permit me – ?’ Holmes stretched out a long arm and reached into the jumble of documents and periodicals on the mantelpiece.  ‘Hmm.  Yes, here we are – this week’s New Musical Express.. Watson, what a catalogue of horrors is here!  The lubberly scum of London, the very dregs of the opium dens.. Where was it.. Ah! I quote: “spotted by yr excited reporter picking their noses in a darkened toilet with the Damp Socket Scuzz Collective (formerly We Luv Public School Records) – anti-music – anti-quotes – they wipe their arses on the smug corpse of the Old Previous Cunts – doing it for The Kids, man – tired rhetoric – I play guitar like I’m flogging my old PE teacher – drums like a scotch egg full of Iggy’s spunk…” Enough!’

‘But Mr Holmes, this is not the worst of it!’ the good lady interjected.  ‘I listened to some of their.. music.. only this afternoon, and my own Francis was,’ she coughed with embarrassment, ‘..singing, after a fashion, about “snorting bones”.  In somebody’s garden shed.’  Her face was ashen with horror.  ‘Bones, Mr Holmes!’

Holmes looked grim indeed.  ‘Mrs Glendinning, I shall be most glad to rescue your son from these villains.  Watson, I would be grateful if you’d pass me the inhaler of benzedrine cough remedy.’

‘Why, have you a cold, Holmes?’

‘Just do it.’

Suitably refreshed, my friend bade the dowager Lady goodbye and stepped out to hail a cab.  I found him prostrate with nervous exhaustion a few feet from the porch, his athletic frame splayed on the cobblestones.  ‘Quickly Watson – the brandy,’ he croaked, gesturing feebly toward the inner pocket of his greatcoat, ‘and you’d better have some too if we’re to stand a chance of surviving the ghastly work that lies ahead of us.  I trust you’ve brought your revolver.’

‘Holmes, you surely cannot anticipate any danger from these noisy children?’

My friend smiled thinly as I helped him to his feet.  ‘No.  But I might feel like shooting someone.’

We arrived in a swirling fog outside the lowest kind of tavern.  The noises from within are beyond my power to describe – and over it all a nasal, tortured yelp as of a man crying out in mortal crisis.

We pushed inside through the heat and throng, eyes watering in the murk, minds assaulted by the din.  My cheeks burn as I write it, but the music began to work within me in strange ways – my moral fibre was shaken – my resistance wavered.. I plugged my ears and pushed on, seeing the lithe form of my friend leap onto the stage!

What a scene I beheld: the preening figure that had once been Francis Strathbogie Glendinning, beloved heir of a respectable family, twitching and cursing in language that must not – must not – be repeated.  Surrounding him were a group of haggard, perspiring louts, sneering in practised ennui as they mishandled their instruments; a glassy-eyed stare and a shrug was their only reaction to Holmes’ appearance.  He grasped Francis’s skinny shoulder and pushed the repulsive figure aside, seizing the microphone – howls of protest rose from the crowd – with his other hand Holmes picked up a guitar and lifted it high above his head, then dashed it to the floor!

I felt a thrill of fear as he snarled, ‘Right you lightweight little shits.. I’ll show you something..’

TO BE CONTINUED

(Except it wasn’t, nor was it intended to be.  It was a dig at the then-prevalent mid-00’s fashion for bands made up of crackheads and public-school wankers pretending to be ex-rent boys, weird as that seems now.  Anyway, I rediscovered it by accident and thought it might be a laugh to stick it on here.)