The new EP’s scored a great review in Monolith Cocktail, which describes it as one of my “best releases yet” – and the in-depth write-up concludes I’ve “seldom sounded better and more imaginative”. Have a look, see if you agree (and read all the other stuff too… It’s a great gateway into loads of interesting music).
On a related subject, another shout out for Plugged In Brighton Mixcloud 2 – which features a track from the EP. Here’s the playlist: Frank & Beans – Card Song/ Big Slammu – Chicken Pocks/ Young Francis – Short Hair Girl/ Bitch Theme – Tigerlily/ Rotten Foxes – Mullet/ Matt Finucane – Not Too Far/ Sit Down – Candy Bar/ Ditz – Two/ Negative Measures – Chained/ Red Shores – Cold War/ Clt Drp – Merry Go Round/ King Bee Buzzkut
There I am on the cover of Plugged In Brighton 2… And here, with their kind permission, is the interview from the same issue:
It was lovely to be asked, and they had some kind words about Ugly Scene too:
“the songs are art rock without being limp and inhabit a weird version of our world […] Matt is raging against whatever is there” … among other things.
There’s good info on local bands in there, so pick up a copy if you live in this hipster gulag – or check their facebook page (link above) and mixcloud, if not.
A new write-up for the EP here – “This is not your standard Brit-Pop”, featuring “innovation, with sound experimentation, layering and fluctuations within the music’s structure itself, ranging from full-fledged psyched out Pink Floyd-ish granderie at one moment, then over to stripped-down Bob Dylan-like moments of minimalism and pensiveness”.
Good to know it’s doing what it was meant to.
According to this great in-depth review, the EP marks “a welcome return to the music scene, and once again defies categorization”
…Which is very good to know. If you read the whole entry (I’m about halfway down it), you’ll most likely find several interesting new artists to hear.
“…like with any good outsider, the more you listen to the songs, the more natural they become, and soon those quirks become hooks”
A write-up for Threaten Me With Your Love, to go with this one from withguitars.
A nice write-up from an ace magazine… I don’t often get called “seductive in every sense” (more’s the pity). That aside, check it out – lots of cool stuff in there.
Take a look at this – the other artists are very check-outable, too, loads of stuff to read / listen to – give your mindbrain & earbulbs a treat.
(Just as well I take note of these things, as the review seems to have vanished. I’d think it was my imagination otherwise – MF In The Future)
The 13th August update of Unpeeled has very positive things to say about Glow in the Dark – “once in a blue one, you come across something of genuine interest”, for a start – and I’ve taken the liberty of quoting the entire review on the Press page. Go to the site, though, it’s all good writing (and they clearly have excellent taste, eh? Eh?!?).
Wish me luck – or a gloriously messy death. x
Two more reviews for Glow in the Dark, first from Stu Huggett in Brighton Source magazine:
…And second from Ringmaster Reviews, here. An ambivalent one, this – “at times not easy to get a handle on”, but “to ignore it would be a mistake”… and “a sinister caress with less than healthy intentions which leaves one rattled but needing to feel its shadows again”(!). Still, it’s in-depth, which is aces with me. And uncertainty isn’t a bad thing… I’ve evoked some colourful images in the writer’s head: my work is done.
Here’s another write-up for Hard Science from is this music? Good again: I’m a punk poet prepared to push the boat out, it sez. Damn right.
The BBC Introducing: South session takes place next Sunday, 24th June – more details as soon as I have them (probably tomorrow). Exciting stuff.
Here’s a nice write-up for the upcoming album at indiebandsblog.com …
And here’s one at withguitars.com
Appreciated, as ever. Live, the gigs are gradually pencilling in, circling like inky tenebrous corner-of-the eye spectres, hazing toward actuality, an’ shit… Also, just been offered a BBC radio session quite soon, so more news on that swiftly.
Here’s a review of forthcoming single Hard Science on God Is In The TV’s site.
It’s a good one: “If these two avant-pop tracks are anything to go by then the album should be, at the least, intriguing.”
Read the article, listen to the tracks when they’re released at the end of this very month, and see if you agree. (In fact, Hard Science can be heard on the Bandcamp player at the top of this page. If you like, you can watch the video, too.)
This Mucky Age gets an interesting write-up from Peter Kemp’s music blog here:
It’s pretty shrewd; but then it’s a great review so I would say that, wouldn’t I? (He’s bang-on about the imaginary scenario of Degenerate Son, which seems to have puzzled some people.)
There’s one or two more reviews of the album to come – in fact I’ve already seen one of em and it’s another positive write-up; will link to it as and when posted, obviously.
Anyway, check out Peter’s blog – I’m in very good company.
Venerable Oxford music magazine Nightshift has a review of Hands Up in its December 2011 issue: link to pdf here.
It’s filed under “demos”, but you can’t have everything: in a previous life, I grew up in Oxford and played in various oikish, leather-jacketed schoolboy weirdo bands, so this is actually quite gratifying. Nice write-up, too. Ah, those dear dead days in Thin Blue Wrists and Empty Vessels – I couldn’t carry on like that anymore, it’d simply kill me. And I’ve got a second album to finish… (Also a gig in London on Tue 6th Dec). Happy Xmas!