Because the New Year finds me light-hearted and clearing out a ton of sentimental &/or forgotten crap, to dance laughing round a giant freedom pyre, I thought it’d be nice to share something with you. Going through the accumulated debris, I found this thing written years ago for a compilation album called The Return of Generation Toyracer (TOY004), featuring a track by my then-band Empty Vessels.
And what better way to celebrate the future than by wanking over the past?
The idea was to do a short piece for the inlay booklet, describing my best-loved record. So I made one up:
‘My favourite album is by 80’s combo Joie Extreme. The Sound of Whipped Dogs Miaowing has a literally unbearable atmosphere of foreboding and dread, with great hooks and singalong choruses. This voluptuous fog is testament to the genius of Des Essence and Vyv Feast. Whereas Essence was a protest singer distinctive for high-pitched shouting over primitive piano chords (ultra-rare early single “Dead Hill-Farmers Long Ago”), Feast wasn’t. So each song on their classic LP was recorded twice – once at half-speed, then with frequencies added that Feast claimed caused “spiritual violation”. Drummer Stifford was forced to hold his breath for each take; listen carefully and hear him sobbing on track three.
Recording took place in a haunted factory in front of a crowd of wax dummy children in Victorian clothes, and Feast deprived the band of sleep by flashing a blue light in their eyes (while showing, says bassist Miranda Poe, “a full stem”). The song “Eyeflaps Turgid” – possibly the only ever to feature an acoustic guitar filled with shit – reflects this. It was all downhill from there. The band scattered into obscurity to become music journalists, but their album lives on and I’ve got all the copies.’
…The work of a cocky, sleep-deprived and possibly quite drunk young man, but damn it was fun.
2012 was bipolar – but I’d do it all again
Well, that was a… colourful year. And who could ask for more? Rather that than the alternative, which is a dreary thought. Death!
So what happened? (I’m still asking myself that, so this summary is as much for my benefit as anything else.)
1) Released 2nd album. Got more, and better, reviews than #1 – which was kind of the idea.
2) Did a brief and eventful tour after release – pretty much broke even: another first. Played a fair few other gigs, mostly solo, some with…
3) A band, which orbited around the songs for roughly 8-9 months and then exploded. With hindsight, it was never going to last, but during that time we played…
4) Live on BBC Introducing: The South (and the single got a little air-time too). This was exciting.
…Besides these bare bullet-points, I’ve just kept on doing it, “it” being more songs. Met some potential collaborators in the last couple of months, had a few tantalising overtures; again, I’m not going into detail yet for fear of The Jinx; in this game, so many promising set-ups tend to evaporate without warning.
But it’s promising just the same. And it’s been a blast – on a gross venal level, the trickle of royalties makes filling in an income tax Self Assessment form such a thrill.
Joking aside, I’m still fuelling off the highs and regret none of the lows – hope you (whoever you are) likewise. Happy New Year.