Not Too Far
The Wrong Side
Out today: the loudest and most obnoxious set of recordings I’ve done in quite a while – it felt like that kind of time again. The follow-up, hopefully due later this year, is already finished and takes a different angle… it’s called Disquiet. But for now, hope you enjoy these dispatches from the feedback frontier x
“spins and spins to weave a heavy and complex sonic web” – indiebandguru.com
There I am on the cover of Plugged In Brighton 2… And here, with their kind permission, is the interview from the same issue:
It was lovely to be asked, and they had some kind words about Ugly Scene too:
“the songs are art rock without being limp and inhabit a weird version of our world […] Matt is raging against whatever is there” … among other things.
There’s good info on local bands in there, so pick up a copy if you live in this hipster gulag – or check their facebook page (link above) and mixcloud, if not.
There’s a new EP due on 11 May in all its ugly glory… I got tired of introspective stuff and dialled up the noise/sarcasm/repetition. It’s also, for the most part, very… direct. Here’s advance word from xsnoize.com.
I’ve already recorded the follow-up, and that’s different again. Meanwhile, think of this one as an outburst of protest – although the final track may be one of the prettiest things I’ve ever done. A conundrum, for sure (but not too much of one… it’s getting playlisted a lot, which is very welcome).
Gigs are lining up – solo, as a guitar/drums duo, full electric band – and dates so far include:
Another improv gig, as described previously, in the Wildcard Quartet:
Mon 21 May, Short Steps presents @ Fortune of War (Brighton) – w/ Ja Sputnik, Noisferatu & Pete Wiseman
Mon 28 May, Mr Wolf’s (Bristol)
Fri 22 June, Real Music Club @ The Brunswick (Brighton) – w/ Andy Roberts & The Boy In The Cupboard
More tbc for June onwards. Ugliness, ugliness everywhere (and I love it)… x
EDIT: you can hear a track from the EP on Indie Arena Radio’s Mixcloud here
the venue (Verdict Jazz Club) in a quiet moment
So I’ve been going to Safe House here in Brighton for a while, and it’s helped keep me honest and open-minded musically (flexible, too). It’s a, well, it’s… right, this is off their site:
…collective that hosts two separate nights that focus on improvised and experimental music: Safehouse, on the first Wednesday of every month, and On The Edge, on the last.
[…] There may or may not be any rhythm, tonal centre or structure to the pieces played. The music is free in that sense. No premeditated ideas or constrictions. Any sound is valid. It is a sonic conversation, in which players respond to each other as spontaneously as possible.
It can be brilliant, terrifying and beautiful or absolute shit, depending on the quiddities of the moment. Some of the players are very advanced indeed, but I’ve managed to reach a point where I can hold my own onstage well enough as part of a free improv scratch ensemble – or at least not embarrass myself too often. One aspect of the gig nights is the Wildcard Quartet: four names are selected at random to go on as first support and improvise for about twenty minutes, no quarter asked or given. (They’re very clear about this… it’s not “jamming”, it’s improvisation. Start spamming out riffs by rote and they take you out back and shoot you. Horribly distorted electric guitars are permitted, however.)
Anyway, my name came up for the gig on 31 Jan. It’s exciting stuff, and will be entirely unique, which is kind of the point.
Graham Dunning, Colin Webster, Sam Underwood
In this trio Graham Dunning plays turntable, dubplates and dentristry tools, walkmans and amplified objects. Colin Webster plays saxophone and Sam Underwood the tuba.
In 2014 Graham and Colin released two albums of recordings on the Linear Obsessional and Raw Tonk labels. They also toured the UK and Switzerland – the video below is from their set in Zurich.
The trio performed a memorable set at Supernormal festival in 2015 and released a CD called Bleed on ADAADAT label – a track from which is below.
Fettucini Spicer attempt to provoke/shock each other into action by the application of a multitude of instruments and objects too numerous to mention!
…I have no idea what to expect, and trust me – neither do you.
My new EP comes out today (25th Oct), and I’m doing a gig on Sun 29th for Brighton Noise to mark the launch. It’s beyond cool to be asked to play by them – plus ChrySalliss Presents – on a bill with Cali Santo and local legends The Long Goodbye.
Following that, there are more gigs across the UK: check back for updates.
Out on tour for the first time in years, by fits and starts till December.
“If Matt’s got a keynote as a songwriter, it’s his knack for seamlessly juxtaposing the macabre with the ordinary […] These days he’s a little wiser and friendlier, but just as stubborn; and still worth spending time with.”
by Pete Wiseman
Not been idle, as the ultra-swift sketch above shows – that’s me playing guitar at an open mic, you can tell by the eyebrows.
Been testing out a lot of new songs lately, getting a heavy slab of stage-time over the last few months – some of it transcendent, some of it pure fucking grim. But even the misfires excite me.
Okay, enough brand-management. What news? Put together an electric band end of last year, just a three-piece but very powerful and much more simpatico – in both senses – than my previous attempt, which was fine but hardly built to last. Our first gig will be here in Brighton sometime around 30th March, details still tbc. Before then I’ll be back at the Coach House with Sam Cutting on Thur 16th Feb – more info soon.
May this glorious new year bring you a few moments’ respite from the crushing fear and horror
A remastered version of the Self Possession EP is on Youtube. It features some truly diseased noises, now louder and in sharper definition. If you want a download, it can also be found on Bandcamp.
Some new details on Thur 20 Oct gig at the New Cross Inn, London – event page here:
The Asif Outlaws
Hard rocking foursome from London
“Pushing the idea of one-man and his guitar to its limits. With a noticeable Lou Reed influence, his songs move between gentle laments to attacks on his guitar that teeter on a knife-edge. Matt pulls all this of with a suave cool and a voice that echos Jeff Buckley and Nick Cave.” – CMU
£3 Entry / 7pm Doors
Had another short piece of writing featured in Agony Magazine – here’s a link for to read of it.
Been a while, but not been idle – here’s a link to a short story of mine in Agony Magazine… Musically, am gearing up for a London gig at the end of March courtesy of The Animal Farm, and whatever else I can scrounge – new songs on the way, too. Wait and see x
Shindig Magazine had some good words for Lilith – see above.
Doing a free gig in Brighton tonight at Molly Malone’s for StrungOut Music. Onstage early, 8:30ish, which means I’ll probably still be sober.
You can hear Lilith on RoundSound Radio – looks like a good show, all kindsa stuff going on. That’s from 8pm this eve.
Finally… got a nice (brief) write-up from SupaJam, complete with Soundcloud link.
So that’s 3 different ways you can check out the song for yourself, since I’ll also be playing it live: have a reckon.
shiny shiny, shiny printed paper…
Here’s a link to an interview in the new issue of Brighton Unsigned (page 9). If you’re local, an old-skool print version can be picked up in various venues… although they tend to go quick.
Pleased with how it turned out – it’s nice to be asked – and amusingly enough, they spelled my name wrong on the cover and above the article, but not in the text. Hmmmmm
o sweet lord it’s happening again… EVENT LINK
As you can see, this gig happens on Wed 9 Sept At The Coach House… If you don’t know about this venue, you should. Same goes for the performers – I’m not playing this time, am just the door-bitch, but in ascending order we have:
Shonalika – one of the best singer-songwriters in a town full of ’em
Crysi di Milo – excoriating spoken word mayhem
& headliners Broken Ears – so tight and heavy it’s frankly SCARY
Music from 8pm, no messing. The hound of pleasure calls! x
Before Phantom Hound on 8th July, I’m playing at Good For What Ails You, at the Bee’s Mouth. It’s eclectic, it’s cheap to get in, it starts at 5pm on Sunday 5th. The last one (I went as a punter) was mental. Check it out:
“This month’s eruditional jamboree steps up to the pulpit to present you WORDS of POWER, TALES of WISDOM, JAPES of WRATH, TASSELS of RIGHTEOUSNESS with Jimmy Bullet, Johnny Wardlow, Muffy Hunter, Matt Finucane, Fraser Geesin Leisure Centre and MC Dan Belton”
cute, isn’t he
This is going to be a very interesting gig.
It features super-powerful performance poet Gary Goodman, renowned multi-instrumental improviser Alistair Strachan, some attention-whore with an Irish surname that’s hard to pronounce, and devastatingly dark new talent Rochelle McLean.
And it happens in one of the – if not the – coolest venues in Brighton. Wed 8 July, folks. It may be Summer, but BRING BACK DARKNESS.
amazing what you can do with £0.00
Am playing a free all-day gig in London – Smile Acoustic @ RichMix, E1 – this Monday (25th). On 4pm-ish, I think. There’s loads of musicians involved – here’s the event page. Looks fun.
Also, been recording another full-length effort lately… Self-produced, micro-budget, with assists here and there from talented friends. It already sounds exciting, might even end up as the best thing I’ve done so far.
Anyway, come to the gig and hear some of the songs that’ll be on it.
Speaking of gigs, there’s a launch event in 2 days here in Brighton – Phantom Hound #1 in Kemptown. The venue (At The Coach House) is unusual and the lineup’s great. Also, it’s free.
Here’s the single’s artwork in all its splendid ugliness:
this, but on the radio
I’ve got an hour of spoken word and live music coming out on Radio Reverb, hopefully on Sun 27 July at 11pm (then repeated three times the following week). A preview of the first two and a half minutes can be heard here. That’s 97.2FM kids.*
It was a buzz to put together – kind of nerve-wracking too… if I manage to hold yr attention, unsettle you a bit: good.
Otherwise, got some gigs coming – including a London leg of Waterghosts.
*& it’s now going out on Sun 24th August. Not sure what happened there, but it’s confirmed for broadcast on this date.
Waterghosts was a success; both on its own terms and going by audience reaction. Jamie Sturrock, awkward visionary, I salute you (many people can talk a good game about stuff like this, very few actually risk doing it).
It was exciting to read out my writing in the pulpit, and to work with so many talented musicians and performers; sitting in the engine room and feeling all that improvised sonic deviltry strafing the church was wonderful.
Now I’ve got some gigs, first one Sunday 1 June.
a few Waterghosts pics – more on my Facebook page:
It’s finally happening: at the Brighton Fringe in May at St Mary’s Church, and should be wonderfully mental.
Won’t say more at present – largely because I don’t know much more myself – but I’ll be performing a spoken word piece, and there’ll be music / sound, dancers, sculpture, and a certain amount of the kind of thing you see in the photo above. (That’s not me up there btw but Jamie Sturrock, whose brainchild all of this holy madness is.)