Music

a new lyrics video: see here!

 

This is the lyrics video to forthcoming single In The Evil Empire, due to be released on The Animal Farm in 2014.

Scrutinize it.

 

 


Water Ghost whispers

report ii

the logbook…

It’s been a while, but then this time of year’s rarely very dramatic.

Lately, the focus is on improvising, found sounds and field recordings – for instance, a spoken word piece I just did with a sound artist named Jamie Sturrock.

He’d produced a very eerie soundscape called water ghosts, based on noises obtained by dangling a mic into an underground cavern in Scotland.  I wrote a response after sitting in the dark with it, then recorded this with him.  The results, when finished, may be released at some point – but that’s out of my hands, and part of a larger ongoing project.  More news on this if/when I have it.

Anyway, it’s very exciting so far; Jamie’s website (with water ghosts toward the bottom of the page) can be found here.


Happy Blank Page: 2013

2012 was bipolar – but I’d do it all again

Well, that was a… colourful year.  And who could ask for more?  Rather that than the alternative, which is a dreary thought.  Death!

So what happened?  (I’m still asking myself that, so this summary is as much for my benefit as anything else.)

1) Released 2nd album.  Got more, and better, reviews than #1 – which was kind of the idea.

2) Did a brief and eventful tour after release – pretty much broke even: another first.  Played a fair few other gigs, mostly solo, some with…

3) A band, which orbited around the songs for roughly 8-9 months and then exploded.  With hindsight, it was never going to last, but during that time we played…

4) Live on BBC Introducing: The South (and the single got a little air-time too).  This was exciting.

5) Did some more on the writing front, including an anthology on Kindle.  My shady publication history can be partially untangled here, for anyone who’s into the minutiae.

…Besides these bare bullet-points, I’ve just kept on doing it, “it” being more songs.  Met some potential collaborators in the last couple of months, had a few tantalising overtures;  again, I’m not going into detail yet for fear of The Jinx; in this game, so many promising set-ups tend to evaporate without warning.

But it’s promising just the same.  And it’s been a blast – on a gross venal level, the trickle of royalties makes filling in an income tax Self Assessment form such a thrill.

Joking aside, I’m still fuelling off the highs and regret none of the lows – hope you (whoever you are) likewise.  Happy New Year.


Sherlock H vs The F***king C***suckers

Below is a piece I wrote some years ago for a fanzine (on actual paper, yet).  Explanation follows.

I arrived at 221B Baker Street to find my friend Sherlock Holmes deep in consultation with a well-to-do lady of middle years, her pale worried features a sad contrast to the richness of her dress.  ‘It’s my son Francis,’ she said in a voice cracked with weariness.  ‘Ever since he joined this.. “rock band”, he’s been like a perfect stranger.  He comes and goes at all hours, refuses his dinner, and seems to detest my husband and I – but worse yet…’

Here Holmes interrupted with a brusque gesture of his nervous fingers.  ‘This band.  What do they call themselves?’

‘I blush to tell you, Mr Holmes, but they are known as The Fucking Cocksuckers.’

‘Quite so.  If you will permit me – ?’ Holmes stretched out a long arm and reached into the jumble of documents and periodicals on the mantelpiece.  ‘Hmm.  Yes, here we are – this week’s New Musical Express.. Watson, what a catalogue of horrors is here!  The lubberly scum of London, the very dregs of the opium dens.. Where was it.. Ah! I quote: “spotted by yr excited reporter picking their noses in a darkened toilet with the Damp Socket Scuzz Collective (formerly We Luv Public School Records) – anti-music – anti-quotes – they wipe their arses on the smug corpse of the Old Previous Cunts – doing it for The Kids, man – tired rhetoric – I play guitar like I’m flogging my old PE teacher – drums like a scotch egg full of Iggy’s spunk…” Enough!’

‘But Mr Holmes, this is not the worst of it!’ the good lady interjected.  ‘I listened to some of their.. music.. only this afternoon, and my own Francis was,’ she coughed with embarrassment, ‘..singing, after a fashion, about “snorting bones”.  In somebody’s garden shed.’  Her face was ashen with horror.  ‘Bones, Mr Holmes!’

Holmes looked grim indeed.  ‘Mrs Glendinning, I shall be most glad to rescue your son from these villains.  Watson, I would be grateful if you’d pass me the inhaler of benzedrine cough remedy.’

‘Why, have you a cold, Holmes?’

‘Just do it.’

Suitably refreshed, my friend bade the dowager Lady goodbye and stepped out to hail a cab.  I found him prostrate with nervous exhaustion a few feet from the porch, his athletic frame splayed on the cobblestones.  ‘Quickly Watson – the brandy,’ he croaked, gesturing feebly toward the inner pocket of his greatcoat, ‘and you’d better have some too if we’re to stand a chance of surviving the ghastly work that lies ahead of us.  I trust you’ve brought your revolver.’

‘Holmes, you surely cannot anticipate any danger from these noisy children?’

My friend smiled thinly as I helped him to his feet.  ‘No.  But I might feel like shooting someone.’

We arrived in a swirling fog outside the lowest kind of tavern.  The noises from within are beyond my power to describe – and over it all a nasal, tortured yelp as of a man crying out in mortal crisis.

We pushed inside through the heat and throng, eyes watering in the murk, minds assaulted by the din.  My cheeks burn as I write it, but the music began to work within me in strange ways – my moral fibre was shaken – my resistance wavered.. I plugged my ears and pushed on, seeing the lithe form of my friend leap onto the stage!

What a scene I beheld: the preening figure that had once been Francis Strathbogie Glendinning, beloved heir of a respectable family, twitching and cursing in language that must not – must not – be repeated.  Surrounding him were a group of haggard, perspiring louts, sneering in practised ennui as they mishandled their instruments; a glassy-eyed stare and a shrug was their only reaction to Holmes’ appearance.  He grasped Francis’s skinny shoulder and pushed the repulsive figure aside, seizing the microphone – howls of protest rose from the crowd – with his other hand Holmes picked up a guitar and lifted it high above his head, then dashed it to the floor!

I felt a thrill of fear as he snarled, ‘Right you lightweight little shits.. I’ll show you something..’

TO BE CONTINUED

(Except it wasn’t, nor was it intended to be.  It was a dig at the then-prevalent mid-00’s fashion for bands made up of crackheads and public-school wankers pretending to be ex-rent boys, weird as that seems now.  Anyway, I rediscovered it by accident and thought it might be a laugh to stick it on here.)


the longest game of all

notes from waaay underground, Sept 2012

It’s hardly an original observation, but we’re in an unprecedented place with music right now.  And that’s leaving aside the hopelessly blurred question of illicit downloads.

What we’ve got is an ever-more-entrenched top tier – the trad music biz – with a chokehold on all outlets still, despite everything.  Shrinking but sucking up all the gravy, digging in, skimming off as much short-term profit on karaoke, lukewarm EDM and career-path indie as possible…  (The money nowadays is in being a middleman – a 360-degree platform, or whatever… basically smoothing a load of unexpected bumps out of this level playing field, or claiming to.)  And then there’s practically everyone else.  Okay, there are exceptions when someone interesting somehow gets over the fence, but you know what I’m saying.

“Everyone else” being the huge semi-pro DIY mass, squashed in a corner, playing the long game.  Doing it for the love of it, waiting for a break, gambling on longevity – or persistence – or bloody-mindedness…  (If the volume of ever-accumulating stuff out there on the internet hasn’t made a nonsense of ideas like “back catalogue” and “posterity”, for unknowns anyway.)  This in itself isn’t a new thing; it’s the extent of the lower tier that’s new.  There simply aren’t enough outlets that pay – either in terms of making a living, or the finer commodity of sustained visibility.  Of course the situation could eventually stabilize, even improve; something unexpected might come along and change the game again.  Until then, though…

They believe in what they’re doing, these hidden musicians, so they roll the dice and carry on regardless.

As will I, despite the discouraging recent experience of having a band blow up on the launchpad.  Discouraging, not fatal – with 20/20 hindsight it’s best in the long run, for reasons I needn’t go into here.  Gave me ideas on how I’d like to continue, which is something; time now to get on with it.

Another year, another gamble: thankfully, the work is its own reward.  Clearly lots of other people feel the same.


Unpeeled album review + TOUR NEWS

The 13th August update of Unpeeled has very positive things to say about Glow in the Dark – “once in a blue one, you come across something of genuine interest”, for a start – and I’ve taken the liberty of quoting the entire review somewhere on here.  Go to the site, though, it’s all good writing (and they clearly have excellent taste).

Tomorrow sees the first date of MINOTAUR – South Seas Live in Sheffield.  Facebook pg for that specific gig here.

Wish me luck – or a gloriously messy death. x


GLOW IN THE DARK out today – reviewed by Whiteboard Project

GLOW IN THE DARK – album #2 – is now available from Bandcamp, Amazon, Spotify & the rest.  My advice is get it from Bandcamp, where it comes with extras.

It’s been reviewed by Whiteboard Project, here.  (Scroll down, it’s the second or third item.)  It “will infuriate some and delight others […] Highly recommended”.   Amen to that.

On top of this, I’m part of a brief tour from 15th – 19th August.


Empty Vessels on Container Drivers Radio: old song, new programme

the past: cobwebs or stardust?  discuss

The guys at Container Drivers Radio have another podcast up, featuring a song by my old band Empty Vessels.

  • A Certain Ratio – Do The Du
  • Joy Division – Warsaw
  • Hawkwind – Death Trap
  • Adrian Sherwood – Boogaloo
  • The Lovely Eggs – Watermelons
  • Monkeys In Love – I’m Alan
  • Can – And More
  • Sky Architects – Cave In
  • Gespenst – The Bloodline
  • The Fall – R.O.D.
  • Althea and Donna – Uptown Top Ranking
  • Power Switchblade – Keep it Light
  • Jake Bugg – Taste It
  • Empty Vessels – Monkey
  • Stanley – Obstacles
  • There Will Be Fireworks – Harmonium Song
  • New Order – Vanishing Point
  • X – Johnny Hit and Run Pauline
  • Kingsley and Perrey – Unidentified Flying Object
  • Bauhaus – Spy in the Cab
  • Human Don’t be Angry – Asklippio
  • Porcelain Raft – Put Me To Sleep
  • Mugstar – Serra
  • Ennio Morricone – L Estasi Dell Oro
  • Signalsundertests – Kapelle

Thanks, as always, are in order.  The song was recorded live at Rooz Studios, nr Old St in London, as part of an EP/album thing (it’s complicated).  I’m told it was available in shops, back when that sort of thing mattered.  Anyway, it’s a blast from the recent-ish past; my principles are unswerved, my delusions intact.  If nothing else, it’s a nice fit with Hawkwind and The Fall.


BBC Introducing: South radio session Sunday 24th June (info)

Okay, the live session on BBC Introducing: South is going out this Sunday, from 7 – 9 pm.  We’re playing 4 songs and doing an interview.  EDIT: 1st song goes out at 7:05.

Link to their webpage here.   Info:

BBC Introducing: The South, 7-9pm Sunday evenings

BBC Sussex and BBC Surrey & BBC Radio Solent

Listen in Brighton on 95.3 FM

Listen in Sussex & Surrey 104-104.8 FM

Listen in Solent & Hampshire on 96.1 FM

Listen in Dorset on 103.8 FM L

Listen on-line

 www.bbc.co.uk/sussex

www.bbc.co.uk/surrey 

 www.bbc.co.uk/hampshire 

 www.bbc.co.uk/dorset

Text during the show on 81333 your normal rates apply, but you must start your text with the word ‘radio’

Email unsigned@bbc.co.uk

…I can promise the unpredictable, the colourful, the atom-smashing.  Give us a listen, do!


GLOW IN THE DARK album: first press coverage/BBC gig

Here’s a nice write-up for the upcoming album at indiebandsblog.com

And here’s one at withguitars.com

Appreciated, as ever.  Live, the gigs are gradually pencilling in, circling like corner-of-the eye spectres…  Also, just been offered a BBC radio session, so more news on that soon.


28 May: HARD SCIENCE released today

My latest single – taken from upcoming album Glow in the Dark – is now available.  It can be found on Bandcamp – plus Amazon, Spotify, iTunes etc (frankly the Bandcamp version’s better, because it comes with extras).*

It’s been trickling out through various cracks in the internet already, which makes a nonsense of an “official release date”… Unless you’re Metallica, or someone equally lawyered-up…  But anyway, here it is.  It’s officially official.

EDIT: another review just in from Access All Areas Music

*Well, it was better – till I deleted it just now (June 2021).  The B-side can now be found on the album – as can the track itself.


God Is In The TV reviews Hard Science, 10th May

Good ink…

Here’s a review of forthcoming single Hard Science on God Is In The TV’s site.

It’s a good one: “If these two avant-pop tracks are anything to go by then the album should be, at the least, intriguing.”

Read the article, listen to the tracks when they’re released at the end of this very month, and see if you agree.  (In fact, Hard Science can be heard on the Bandcamp player at the top of this page.  If you like, you can watch the video, too.)


Hard Science vid out now

praise Jeezuz

 The video to my next single, Hard Science (released on Light Crude 28 May) can be viewed above.  It was a lot of fun, albeit very fragmented, to make – not the least difficult was finding a vicar’s collar that fit comfortably and didn’t slip out to the side like a broken bone.  Anyway, now I know how those evangelicals feel: drunk and throbbing with THE POWER OF THE LORD.


FUTURES & PASTS

old news and new news…

New: looks like I’ve finally got a band together, at least the strong framework of one.  All we lack – perhaps – is a keyboard or synth (or even laptop) player.  It’s sounding great so far…  Exciting stuff.

Also, been getting some more airplay on Brighton’s Burst Radio – check em out.

Old: my former band Empty Vessels now has a Youtube channel here.  There’s live footage in 3 parts, and also loads of free audio on Bandcamp.  While I don’t want to make the mistake of raking around in the past too much, it captures the chaos and focused energy of those days – just as well I’ve got a new band, really.


EPISODES re-issue: Mon 20th Feb

2008 debut EP re-released

Episodes is on sale again from tomorrow, via Bandcamp and – shortly afterwards – iTunes, Amazon & all that bunch.

Not only does it include Kafka Song and the hidden spoken-word track from the original CD, but also 3 extra tunes (one of them exclusive to Bandcamp).  It’s been unavailable for a long time due to problems with the original distributors which I won’t go into here – suffice to say a repeat appearance is long overdue.  Check it out.


a vid for Valentine’s Day

…and also for the re-issue of “Episodes”

Monday 20th Feb sees the digital re-release of my 2008 EP Episodes, with bonus tracks.  Here’s a short story to celebrate: one for all you Valentine’s Day romantics out there.  (Ha!)


Torrents! (Of bullshit)

those who complain on messageboards that a not-for-sale CD clearly marked PROMO ONLY which they had no business buying is in fact a CD-r… I salute you

By and large, as a musician I expect to get ripped off occasionally; it’s an occupational hazard.  This is why I’m not too bothered about torrent sites or other internet-based free music distributors beyond my control.  While I might find the principle behind them bogus and annoying, it’s just about possible to accept in return for the (theoretical) publicity it can generate.  And let’s face it, other options are limited.

Just before This Mucky Age was released, a ton of pirate downloads appeared on the net; one of the promo copies was ripped by a journalist.  The only objection I could think of was that it messed up search results for this site; otherwise it was vaguely flattering, in a creepy sort of way… but begs the question, Why?!?  Some sad bastard even went to the trouble of photographing the packaging.  It’s a decent pic, too; so ironically enough, I’m going to steal it (see above).

While checking this out, I found bands begging to be pirated – either from wanting the extra exposure that these sites supposedly offer, or to be seen as inside the great big inclusive internet tent, maybe, instead of out in the rain.  And to an extent, there’s something in the righteous notions the… pirates?…  bandy about, of Opening Up Music’s Furthest Horizons Without Hindrance or Limit For Everybody, of sticking it to The Man, etc etc (when they bother to make excuses, it’s usually some kind of incoherent bid for the moral high ground).

Still, it would’ve been nice to be asked.  At one point there were 80-odd leaked versions out there; not many in the scheme of things, but enough to be taking the piss.  It can be remedied with a little effort, though: get a DMCA takedown notice issued, and the dark grapes of villainy wither on the vine.  Eventually.

This is why the US House of Representatives’ proposed Stop Online Piracy Act & Protect Intellectual Property Act  are disproportionate and inappropriate.  The main argument against is that these pieces of legislation are so vague and potentially all-inclusive that, as the proposals stand, they could be extended to mean censorship (by blocking) of pretty much anything.  All this in the hands of a closed group of private interests.  But so what?

…After all, it sometimes feels like the www could do with a good purge; times when it seems to consist almost entirely of 2nd-hand crud – endlessly-circulated photos of dogs in fancy dress, people who can’t spell screeding out massive reviews of long-forgotten 80’s horror films, regurged gossip and contention, whatever.

Yeah (that’s quite enough devil’s advocacy), then what?  What’s left, other than scorched earth and Adele?  The brute fact is, I have no idea where any of this is going, and care less; it was just an excuse to put that picture up at the top.  Which makes me just as bad – will the circle of evil ne’er be broken…?


rolling up the pavements…

…and pulling down the shutters till 2012

Okay, that’s enough for this year.  It’s been full, varied and interesting, which is all one can ask of any bunch of days.  (That’s in a personal and musical sense, btw.  On a wider political and economic scale, it’s been fucking terrifying.)

Currently trying things out with other musicians and finishing off album #2 – more news on that next year.  Also, my 2008 EP Episodes is due for re-release early 2012: further details in January.  All I’ll say now is that it’s loaded with bonus material and will have proper digital distro this time.

It’s interesting putting out music mainly via internet – there’s now no such thing as a hidden track, for instance: not really.  (One of the tracks on the original Episodes CD was hidden – it ain’t anymore.)  Even if they don’t spill every last bean, most sites actually say in the download spec, “this album/ep, whatever, comes with a hidden track”.  Don’t get me wrong – on paper, in theory, as a medium it’s great. But…  Call me old-fashioned, but it’s not very interesting, is it?  For either party in the transaction.  Spoon-feeding, I mean, in general as well as that specific grouse.

Perhaps things’ll cycle back to to crediting people with a bit of taste and acuity; doubt it though.  On the other hand, the 360-degree, access-all-areas thing we’re locked into now – potential exposure equals potential listeners, so it’s all good – hmm?  Never mind that it’s vapid and boring.  (Well… it’s not like someone’s holding a gun to my head and forcing me to do any of this).  There’s got to be a better way – it’s just that no-one’s found it yet.

Merry X-mush, mush.  A Happy New Yr to you and yrs.

xxx


more radio play for the single

hey BBC – I take it all back about the licence fee…

Hands Up got played on BBC Introducing: South again this weekend (I found out this morning).

As before, it can be heard on iPlayer for a week, till 7pm next Sunday.  It’s the first track on the programme (again!) at about 1min 10secs in, here:

http://www.bbc.co.uk/programmes/p001d7kh

A good start to the week – album out today, gig in London on Wednesday.


album THIS MUCKY AGE released 25th July

 

This Mucky Age is now on sale, and is available all over the internet (Amazon, Spotify etc), or from Bandcamp.

The Bandcamp version features lyrics, 4 different versions of the cover art, and B-sides to the deleted singles (June 2021).


It’s here: Hands Up single & video released today

The single Hands Up can be bought at Bandcamp, or through Amazon and all the other usual outlets…  Also, there’s a video on Youtube – check it out.*

*June 2021: as with previous single, this no longer exists as a separate recording but can be heard on the album…


God bless the BBC

…and all who sail in her

Thanks to everyone who sent in comments to the BBC Introducing programme this evening.  Very much appreciated.

It can be heard on iPlayer for the next week, here:

http://www.bbc.co.uk/programmes/p00hrd41

…And Hands Up starts off the programme.

(In fact, I was disentangling myself from some internet admin guff and very nearly missed my own song.  Was in that mix of frantic busy-ness and frustrated inertia that only technology can create – watching lots of coloured bars creeping toward fulfilment, only to be thwarted by tiny circles and error messages…  I shudder thinking about it.)

Anyway, all’s well that ends well.  The whole programme was great – if you didn’t get a chance to hear it on broadcast, give it a listen on iPlayer.


Radio play for Hands Up

BBC Introducing: The South – Sunday 10th, 7-9pm

Hands Up‘s getting played on BBC Introducing: The South by Melita Dennett this coming Sunday.  Fantastic news – here’s the info:

BBC Introducing: The South, 7-9pm Sunday evenings
BBC Sussex and BBC Surrey & BBC Radio Solent

Listen in Brighton on 95.3 FM
Listen in Sussex & Surrey 104-104.8 FM
Listen in Solent & Hampshire on 96.1 FM
Listen in Dorset on 103.8 FM

Listen on-line
 www.bbc.co.uk/sussex
www.bbc.co.uk/surrey
 www.bbc.co.uk/hampshire
 www.bbc.co.uk/dorset

You can email the programme with comments at unsigned@bbc.co.uk or text 81333 (you have to start the text with the word ‘radio’).

Good times.


Hands Up video completed!

God, this is exciting.  After a few false starts, the music vid for Hands Up was shot yesterday.  This time it was made with a proper crew and equipment, in various locations, and the atmosphere was unbelievable.

That’s it, I’m saying nothing more for now – you’ll just have to wait.